The Grip of It by Jac Jemc (FSG Originals, 2017)
An old chain spools around a metal pulley next to a swinging kitchen door. The silver chain comes up from somewhere under the wooden living room floor and returns to the same place. When I pull it, it gives a little. On the pulley, three words circle, raised in the brown metal: Closed, Open, and Check. And there is a dial, a hefty metal switch that only moves a centimeter. Other than the give, nothing happens. It’s neat and old and mysteriously low to the ground next to the built-in hutch. An examination of the basement where the chain ends and begins again reveals nothing.
This chain is just one of those objects humans wonder about when they find them after they have moved houses, as I have just done. Continue reading “Review: The Grip of It by Jac Jemc”
Royals by Cedar Sigo (Wave Books, 2017)
Cedar Sigo exemplifies a poet who is deeply read and constantly aware of the poetic influences upon him. In Royals, published by Wave Books in late summer 2017, Sigo’s topic is largely the poetic world he inhabits. In fact, the book goes so far as to be meta-poetic—the poems are about creating poetry, conversations with other poets, written to and for poets, and contain allusions to the works of other poets. Poetry as subject is infused into virtually every poem in this book. Continue reading “Review: Royals by Cedar Sigo”
For our second special issue on writing from rural America, I talked with Catie Rosemurgy, a poet who understands and writes intimately about the realities of small-town American life. I fell in love with Rosemurgy’s winding narrative collections and shape-shifting characters nearly ten years ago now, and in our conversation I asked her some difficult questions about writing rural in this political climate, the stories behind her characters, and how she constructs the cozy, strange worlds that shape her collections.
Continue reading “STICKS: An Interview with Catie Rosemurgy”
Sunshine State by Sarah Gerard (HarperCollins, 2017)
Sarah Gerard’s collection of essays Sunshine State reads as an ode to the living, breathing juxtaposition that is the state of Florida. In her essays (some personal, some journalistic, some a hybrid of the two) she has her authorial finger on the pulse of the people who live there. She manages to trace the dreams the state breeds, but also pokes holes in these dreams effortlessly and gorgeously, revealing in the process imperfect portraits of humanity trying its best to grapple with The American Dream. Continue reading “STICKS: Sunshine State by Sarah Gerard”
Maximum Sunlight by Meagan Day, with photographs by Hannah Klein (Wolfman Books, 2016)
“When Tonopah’s lights appear, I rejoice. I feel I’m alighting on Paris – the streetlamps and the Clown Motel’s flashing marquee bulbs seem astonishingly cosmopolitan. Tonopah is a shaggy little town, but coming in from the desert it looms large, an electric miracle in the annihilating dark.”
In college, I remember an afternoon when a professor of mine, an elegant retired ballerina with a degree in philosophy and a dancer’s walk, turned off all the lights and projected photos of cacti in Death Valley on all four walls of our conical lecture hall. The desert, she said, is a nowhere place. An in-between. It is defined not but what it contains but by what it does not. Continue reading “STICKS: Maximum Sunlight by Meagan Day”
Body Toxic by Susanne Antonetta (Counterpoint Press, 2002)
Reviewed by Rebecca Valley
This review is part of our special issue on books from and of rural America. For more on this theme, check out the issue here.
“We are the Roof Dwellers, the People Who Speak in Darkness; we’re also the DDT People, the Drink-Cadmium People, the Breathing Isotope People.” (137)
How do we think about our bodies? As moving systems of bone and muscle? As vessels to hold our brains in, or a shell to decorate and present to the world? In an article about politics and our fears about the fragile positioning of our own bodies, philosopher and bioethicist Joel Michael Reynolds writes: “… here’s the catch. We aren’t trapped in our bodies. We are our bodies, as philosophers from Frantz Fanon to Simone Beauvoir have argued. These changing, leaky bodies afford us opportunity and choice. If static or permanent, they’d be less bodies and more stones or gods. To be sure, bodies marked by racism, sexism, cisgenderism, classism, and ableism get trapped.” Continue reading “STICKS: The Body Toxic by Susanne Antonetta”
St. Lucy’s Home for Girls Raised by Wolves by Karen Russell (Alfred A. Knopff, 2006)
In an interview for The Missouri Review (2013), fiction author Karen Russell was asked about her life in Florida and how it has influenced several of her works. She replied by referring to a “matter –of– fact strangeness” that her native state seems to possess. Continue reading “STICKS: St. Lucy’s Home for Girls Raised by Wolves by Karen Russell”