This summer, I took a bit of a break from Drizzle for many reasons. I had a sudden illness and death in my family that shook everyone I loved. I moved my partner across the country to join me in Massachusetts. It was a good break, and a hard one. It was needed. Perhaps it’s the break or it’s just the drizzly fall weather that has me reflecting on this site and its origins, but now that Drizzle has returned from hiatus in full autumnal swing I wanted to take a moment to think and write about why reviewing books is important, and the role it’s played in my life and that it continues to play in the literary world. Continue reading “Editor’s Note: On Book Reviews as Service”
Plastic: An Autobiography by Allison Cobb (Essay Press, 2015)
Reviewed by Thomas Chisholm
Allison Cobb isn’t interested in delivering epiphanies to readers. She’s interested in literature that opens a mystery and a sense of wonder, and offers a container for others to experience that opening. Plastic: An Autobiography, embodies that mysterious and wonderful opening. It was published as a free digital download by Essay Press in September 2015. The book is a part of their “EP Series,” (as in extended play) where authors are given extended space and time to develop book-length projects. At the time of publication, Plastic: An Autobiography comprised of half the material Allison Cobb had written at that point. Continue reading “Review: Plastic: An Autobiography by Allison Cobb”
Contributing editor Leonora Simonovis interviews poet Victoria Chang about her fourth collection of poems, BARBIE CHANG, out from Copper Canyon Press in 2017. They discuss resistance, the idea of being and representing otherness, the playfulness of poetry, and Chang’s forthcoming collection, which features short obituary poems written after the death of her mother. Continue reading “Resistance, Multiplicity, and The Literary Canon: An Interview with Victoria Chang”
The Grip of It by Jac Jemc (FSG Originals, 2017)
Reviewed by Michelle Mitchell-Foust
An old chain spools around a metal pulley next to a swinging kitchen door. The silver chain comes up from somewhere under the wooden living room floor and returns to the same place. When I pull it, it gives a little. On the pulley, three words circle, raised in the brown metal: Closed, Open, and Check. And there is a dial, a hefty metal switch that only moves a centimeter. Other than the give, nothing happens. It’s neat and old and mysteriously low to the ground next to the built-in hutch. An examination of the basement where the chain ends and begins again reveals nothing.
This chain is just one of those objects humans wonder about when they find them after they have moved houses, as I have just done. Continue reading “Review: The Grip of It by Jac Jemc”
Royals by Cedar Sigo (Wave Books, 2017)
Reviewed by Kim Jacobs-Beck
Cedar Sigo exemplifies a poet who is deeply read and constantly aware of the poetic influences upon him. In Royals, published by Wave Books in late summer 2017, Sigo’s topic is largely the poetic world he inhabits. In fact, the book goes so far as to be meta-poetic—the poems are about creating poetry, conversations with other poets, written to and for poets, and contain allusions to the works of other poets. Poetry as subject is infused into virtually every poem in this book. Continue reading “Review: Royals by Cedar Sigo”
For our second special issue on writing from rural America, I talked with Catie Rosemurgy, a poet who understands and writes intimately about the realities of small-town American life. I fell in love with Rosemurgy’s winding narrative collections and shape-shifting characters nearly ten years ago now, and in our conversation I asked her some difficult questions about writing rural in this political climate, the stories behind her characters, and how she constructs the cozy, strange worlds that shape her collections.
Sunshine State by Sarah Gerard (HarperCollins, 2017)
Reviewed by Brenna McPeek
Sarah Gerard’s collection of essays Sunshine State reads as an ode to the living, breathing juxtaposition that is the state of Florida. In her essays (some personal, some journalistic, some a hybrid of the two) she has her authorial finger on the pulse of the people who live there. She manages to trace the dreams the state breeds, but also pokes holes in these dreams effortlessly and gorgeously, revealing in the process imperfect portraits of humanity trying its best to grapple with The American Dream. Continue reading “STICKS: Sunshine State by Sarah Gerard”